'The Cabinet of Dr. Caligari\r'

'The Cabinet of Dr. Caligari Robert Wiene, the director of the characterisation, The Cabinet of Dr. Caligari, combines institutionalise and fiction in his expressionist characterization in effort to captivate his viewers. This film portrays the element of fantasy in that it has an conceptional realm. The film breaks the rules of realism. In the score everything is crooked and all the sets are painted. The people with dominance are revealed in exaggerated gamy chairs; for example the patrol is shown sitting on one of the high chairs in the police station.Francis first turns away from reality aft(prenominal) Allen has been get throughed because of the psychological pain it causes. In order to cope with this, Francis fantasizes that he is non the target of blame for his best friends murder by blaming Dr. Calgari. His fantasy extends to a point where he is seen as the hero by challenging Dr. Caligari and Cesare. Later on in the film, it is discovered that the dream work that Francis’s unconscious mind uses to produce this story is related to the Freudian dream epitome; he mechanisms and symbols to produce his fantasy.In addition, Dr. Caligari and Cesare are non real people; they are fragments of Francis humor and serve as objects used to induct blame upon. The films ambiguous ending leaves the asperity of Francis story unknown because his illness is not explicitly confirmed. However, the Freudian theory shows that Francis has fantasized the unblemished story to satisfy his guilty mind.\r\n'