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Saturday, December 15, 2018

'Reading Lolita in Tehran: Themes – Women in Iran Essay\r'

'Reading Lolita in Tehran by Azar Nafisi is rattling symbolic of the women in Iran, as the ideas of resisting to accept the organization, conclusion a grit of belonging and wanting to feel in a fondness world illustrates their thoughts during a very rough period of time. Nafisi, who represents the women of Iran, displays this via her progression end-to-end the novel, as it summarizes the struggles that women went through to endure a laughing(prenominal) flavor in Iran. A theme that is repeatedly presented to us in this book is resistance. To be more than specific, resistance by women against the brisk government activity that has been inaugurated.\r\nThe new government taking over, making Iran an Islamic land results in the installment of numerous rules and regulations that oppress the egg-producing(prenominal) universe. Nafisi’s thoughts are displayed when one her students says, â€Å"She resented the fact that her veil, which to her was a symbol of a sacred re lationship to beau ideal had now become an instrument of power, turning the women who wore them into political signs and symbols” (Nafisi 103). The gloomygrading of women by the new regime makes Nafisi question her subjection to her religion and results in her resisting by non habiliment her veil.\r\nNot besides this, further the regime preventing books to be taught in Iran, especially work from the westerly world lawsuits Nafisi and her students to rebel by meeting in secrecy, despite the severe consequences that they would face if they got caught. When referring to meeting in secrecy, Nafisi says, â€Å"That room, for all of us, became a place of transgression” (Nafisi 8). For Nafisi and her womanly students, the room that they meet in had become an harbor for them as they are able to zone place from what was going on outside and spend forest time working on the one thing that they all enjoyed… literature.\r\nIran in the 1970s and 80s consisted of a population of women that were very well-educated. When facing oppression, these women did not shy down from protesting and taking part in demonstrations to get their draw through. They had all built up this sense of courageousness and started using the motto, â€Å"it takes courage to die for a cause besides when also to live for one” (Nafisi 249). This line made by Nafisi shows their confidence, as it propelled them forward to regorge up a fight to regain the rights that were lost. As the government tried to demolish their spirits, these women rose up and opposed by displaying their rebelliousness.\r\nResisting to accept the new government is one of numerous themes that represents the thoughts and actions of women in Iran. Acceptance is other theme in the novel that can be tied to the symbolism of women during the revolution and war. To begin with, many women had trouble accepting the new Islamic establish regime that had taken over. This can be thatt againstn b y the actions of Nafisi, as she says, â€Å"We are not with the regime in our hearts and encephalons” (Nafisi 313). Even after saying this, Nafisi is compelled by the idea of not beingnessness able to teach and pass on her knowledge about literature.\r\nWomen exchangeable Nafisi recognise how helping the youth prosper would booster cable to a successful country in the future, and did not want to miss out on the luck to help, despite their popular opinions about the new rules. Not only this, but Nafisi is unable to understand how people or so her are able to accept the new rules and regulations of the government so easily, as she struggles to cope with the fact that women were being demoralized. Nafisi, along with numerous women in Iran began to feel kindred outcasts within their own country and battled within themselves to depict the image that they wanted to portray.\r\nThis can be seen when Nafisi questions herself, â€Å"When I walked down the streets, I asked myself, are these my people, is this my hometown, am I who I am” (Nafisi 74)? Finding a sense of acceptance regarding the revolution and war was their biggest goal but for many, not being able to speak their mind was unimaginable. After struggling to accept the new government, many Iranians contumacious to make the move to the western world. Nafisi decided that this was the beaver panache to escape her problem of not being able to fit in.\r\nSoon after, Nafisi actualized that leaving may not have been the best option for her. She says, â€Å"You get a strange feeling when you’re about to leave a place, because you’ll neer be this way again” (Nafisi 336). Once again, she starts disbelieving herself and comes to the conclusion that Iran will always be where she hails from, regardless of the circumstances. Wanting to be accepted was something that women seeked in Iran, but as they fought with the idea of giving in to the regime, many of them were unab le to find a way of adapted in and left Tehran for a break out opportunity.\r\nThe setting in Tehran had become intolerable for women, as the oppression had taken a considerable toll on many of them. A way of getting away from this was by comparing the real world to a fantasy world that they could only envisage of living in. One comparison that is made, is to an fountain by the name of F. Scott Fitzgerald. Nafisi and her book club see how their dreams for a better Iran are similar to the ideas that Fitzgerald collective in his book. Whilst discussing the book, a students says, â€Å"What we had in common with Fitzgerald was this dream” (Nafisi 144).\r\nNot only this, but Nafisi compares her life to Gatsby and sees this fantasy world that he lives in as being the place that they ultimately want to end up in. For the female population of Iran, these dreams had to be fulfilled, as the ideas of granting immunity and peace in the rest of the world were forever being displ ayed. As the novel progresses, Nafisi interprets that dreaming is extremely valuable as she sees opportunity and hope in picturing a better outcome to the strike times in Iran as seen in this quote, â€Å"It teaches you to rank your dreams but to be wary of them too, to look for integrity in unusual places” (Nafisi 135).\r\nIt is her dreams that strive her forward and economise her fighting for the freedom that she deserves. This novel by Azar Nafisi displays the life of Iranian women as they fought to win back the rights that were wrongfully taken away from them. The females rebelled with great integrity alternatively of accepting the regime and tried to place themselves in a fantasy world to make things better, but for many, the oppression was too much to handle cause them to flee the country for the sake of giving themselves an opportunity to live a happy life.\r\n'

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